{"id":17282,"date":"2021-09-01T15:55:35","date_gmt":"2021-09-01T13:55:35","guid":{"rendered":"https:\/\/cfbenaim.com\/the-company\/team-and-board\/"},"modified":"2025-06-05T16:17:37","modified_gmt":"2025-06-05T14:17:37","slug":"team-and-board","status":"publish","type":"page","link":"https:\/\/cfbenaim.com\/en\/the-company\/team-and-board\/","title":{"rendered":"Team and board"},"content":{"rendered":"

[vc_row padding_top_multiplier=”2x” section_id=”artistes” scroll_section_title=”Artistes chor\u00e9graphiques”][vc_column]

Choreographic artists<\/span><\/span><\/h3>[\/vc_column][\/vc_row][vc_row columns_gap=”60″][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"Fabien\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
Fabien Almakiewicz<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1630937539496-706b7907-d7e3″][vc_column_text text_style=”leader-text”]
\nFabien Almakiewicz studied at the Beaux Arts in Cherbourg and Marseille, from 1997 to 2002, after a training in stained glass in Cahors, then in Nancy at the Centre Europ\u00e9en de Recherches et de Formation aux Arts Verriers (CERFAV).\u00a0In 1998, he discovered somatic movement techniques and contemporary dance and in 1999 joined the European Dance Development Centre (EDDC) in Arnhem (Netherlands).\u00a0Since then, he has participated in creations and performances as a dancer and performer with Christophe Haleb’s company La Zouze (1999-2003), the Collectif Skalen (2004-2008), the choreographer Rosalind Crisp (2004), Serge Ricci’s company Mi-octobre (2000-2012), the company Gr\u00e9goire & Co of Sylvie Le Qu\u00e9r\u00e9 (2009-2010), the company Hatmen of Fran\u00e7oise Tartinville (2012), the company Point Z\u00e9ro Delphine Caron (2014), the company Mouvoire Stephan Thiersch (Germany) (2013-2016) and Christian Rizzo (2013-2016).\u00a0In 2016, he joined the company Christian and Fran\u00e7ois Ben A\u00efm on the creation Br\u00fblent nos c\u0153urs insoumis.
\n[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"\"\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
Eva Assayas<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1707302755808-d5f83c47-10a8″][vc_column_text text_style=”leader-text”]After training at the RIDC, Eva Assayas studied contemporary dance at the CRR de Paris and then at the CNSMDP, from which she graduated in 2012.<\/p>\n

As a performer, she has worked with Akram Khan (Abide With Me<\/em>), Arthur Perole (Stimmlos<\/em>), Daniel Dobbels (Entre les \u00e9crans du temps<\/em>, Sur le silence du temps<\/em>, L’Eau Vide I & II<\/em>), and more recently with Emmanuel Eggermont (All Over Nymph\u00e9as<\/em>).<\/p>\n

In 2016, she co-founded Compagnie Hekla and, with Ariane Derain, created the duo Obscur \u00e0 soi-m\u00eame<\/em>. Her research continues with the solo Le vrai lieu<\/em> (2019), in which she questions the relationship between interior and exterior spaces in the construction of gesture. These two choreographic writing experiments set her on the path to a PhD in dance research-creation, starting in October 2019 at the University of Lille. The trio Dans le creux de l’absence<\/em> (2022) is the result of this research.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]

\r\n\t
\r\n\t\t\"\"\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
Jamil Attar<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1630937757219-8a85a15b-e5f5″][vc_column_text text_style=”leader-text”]Born in 1993 in Lyon (France), Jamil Attar simultaneously studied dance and music at the Conservatoire R\u00e9gional and then at the Conservatoire Sup\u00e9rieur de Lyon.
\nTrained as a jazz drummer, in 2013 he was awarded the Gold Medal (which comprises several credits, the main ones being arrangement, jazz harmony, solfeggio and instrument mastery), and in 2015 obtained his Dipl\u00f4me National Sup\u00e9rieur Professionnel du Danseur (DNSPD) in the classical dance section.
\nWith each new artistic collaboration, he tries to combine these two different but complementary forms of expression within the same grammar.
\nIn 2015, when he joined Wim Vandekeybus’s Ultima Vez company in Brussels, he danced and played percussion in the following productions : Speak Low If You Speak Love and Spiritual Unity. In 2017, selected by the Lucerne Festival for a double concert at the Philharmonie de Paris and then at the KKL Lucerne, he studied for over a year with the original performers from 1973 (Kathinka Pasveer and Alain Louafi) the landmark piece INORI by German composer Karlheinz Stockhausen.<\/p>\n

That same year, he took part as musician-dancer in Plateaux, a quintet choreographed by Harris Gkekas (Strates company). He is also called upon by the Balcon ensemble to reprise a solo part in the opera Donnerstag Aus Licht (1981, K.Stockhausen) presented successively at the Comique de Paris and the Southbank Center in London. In 2019-2020, he joins the Plan-K team led by Filipe Lourenco to launch Goual, a hybrid project inspired by the traditional music and dance of the Maghreb, in particular that of the Allaoui movement in eastern Morocco.
\nHe then worked with Christian Rizzo (CCN de Montpellier) on Une maison, and took part in the creation of Racconti, a piece conceived by the Affari Esteri company (Edmond Russo and Shlomi Tuizer).
\nSince 2021, in parallel with his career as a performer, he has devoted himself to his own experiments in the musicality of gesture.
\nthree projects: Socle (for the Fondation Royaumont as part of Opus), Impromptus and Txrbulences.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]

\r\n\t
\r\n\t\t\"Aur\u00e9lie\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
Aur\u00e9lie Berland<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1630937763367-56566e78-7372″][vc_column_text text_style=”leader-text”]Aur\u00e9lie Berland studied contemporary dance at the CNSMDP, graduating in 2006. She then worked mainly with Daniel Dobbels in several group and solo pieces and with Christian and Fran\u00e7ois Ben A\u00efm in the pieces Amor Fati Fati Amor (2008), R\u00e9sistance au droit (2010) and Valse en trois temps (2010). Since 2011, she has been training in dance movement notation, LABAN system at the CNSMDP. In 2013, she danced for Christine G\u00e9rard as part of In Vivo danse 2013 at the Centre Georges Pompidou. In 2014, she is a performer in the piece La Travers\u00e9e by Nacera Belaza and in La l\u00e9g\u00e8ret\u00e9 des temp\u00eates, a 2014 creation by Christian and Fran\u00e7ois Ben A\u00efm.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row columns_gap=”60″][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"Johan\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer, circus artist<\/div>\r\n\t\t\t\t
Johan Bichot<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1637664248994-98734a7f-ff33″][vc_column_text text_style=”leader-text”]Johan Bichot trained at the Ecole Nationale Sup\u00e9rieure des Arts du Cirque in Rosny-sous-Bois and then at the Ecole Fratellini where he wrote two dance pieces, Wackyland in 2007 and Arena in 2008. He then worked for a year as an acrobat in Italy in Arturo Brachetti’s music hall Gran Varieta. In 2011 he dances alongside choreographer Josef Nadj in the piece Cherry brandy. After a first collaboration in 2012 with Netty Radvanyi on the circus piece Striptyque written around the painter Francis Bacon, they create Brut for his own company at the CCN d’Orl\u00e9ans in 2014 – winning show of the European competition “Circus Next”. In 2016, he danced in the film La claque directed by Loren Denis as part of the “3rd scene” digital space created by Benjamin Millepied for the Paris Opera, then danced alongside Nasser Martin-Gousset in ROMAN adapted from the book Women in love by D.H.Lawrence. In 2018\/2019 he works as a performer alongside Christian Rizzo in his latest piece Une Maison. After a first collaboration in 2011 with the company where he is an interpreter for L’ogresse des archives et son chien, a second fruitful collaboration is announced for FAC\u00c9TIES.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"Instantanes-3-Alex-Blondeau-\u00a9Tony-Noel-3\"\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer, circus artist<\/div>\r\n\t\t\t\t
Alex Blondeau<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1689692850130-9952a112-2d8e”][vc_column_text text_style=”leader-text”]Alex Blondeau trained in dance at the Conservatoire de Paris, then at the Conservatoire National Sup\u00e9rieur de Lyon. After graduating in 2017, she joined the company of the Stadttheater Bielefeld in Germany, where she collaborated with Lali Ayguade and Simone Sandroni.<\/p>\n

Back in France, she works with Maguy Marin for the piece May B,<\/em> as well as with Luc Petton for a production mixing nocturnal birds and orchestra on stage.<\/p>\n

In 2020, she joined the Cullberg company in Stockholm, and became familiar with the work of Scandinavian artists. She then joined Rosas in Brussels to participate in the revival of Anne Teresa de Keersmaeker’s landmark piece Drumming<\/em>.<\/p>\n

At this time, Alex Blondeau starts to follow a Master in journalism at the ESJ in Paris, in parallel to her freelance activities.<\/p>\n

In September 2021, she joined the Sk\u00e5nes Dansteater company based in Malm\u00f6 in the south of Sweden. She dances in the production of the Dutch choreographer Anouk Van Dijk.<\/p>\n

It is also in 2021 that she meets Christian and Fran\u00e7ois Ben A\u00efm for the creation of the solo Snapshots #3<\/em><\/a>.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]

\r\n\t
\r\n\t\t\"\"\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
Rosanne Briens<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1689692851224-4757375a-5822″][vc_column_text text_style=”leader-text”]Rosanne trained in contemporary, classical and jazz dance at the Conservatoire de Rouen between 2009 and 2012. After obtaining her Dipl\u00f4me d’Etudes Chor\u00e9graphiques, she joined the Ballet Junior de Gen\u00e8ve, where for 3 years she had the opportunity to familiarize herself with a wide range of styles, performing pieces by choreographers such as Marina Mascarell, Barack Marshall, Roy Assaf, Cindy Van Acker and Hofesh-Shechter, among others.<\/p>\n

On completing her studies, she founded the JunebugCompany collective in Geneva with her colleagues Sophie Ammann and Erin O’Reilly. Together, they co-signed and presented their creations in Switzerland and abroad between 2015 and 2018.<\/p>\n

Since completing her training, Rosanne has been a dancer-performer for various projects and companies in Europe. Since 2017 she has joined the Geneva-based Cie 7273 for tours of the piece “Tarab “followed by the creation of “Nuit” in 2019. She has worked in Holland with choreographer Antonin Rioche on several projects – “The Others” in 2018, “Finally a Sign of Life” in 2021 – as well as for Cie Meyer Chaffaud for their creation #Soul4 in 2020, in England with the collective Body intelligence Collective on the Digital Umbilical project in 2019.
\nIn 2023, she is a dancer-interpreter for the creation of “Florescence in Decay” by \u00c9lisabeth Shilling and “Seasons” by Jean Guillaume Weis at the Th\u00e9\u00e2tre de la Ville du Luxembourg.<\/p>\n

[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]

\r\n\t
\r\n\t\t\"Florence\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
Florence Casanave<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1689692852302-c4facf5a-89e4″][vc_column_text text_style=”leader-text”]After two years of training (2001-2003) at Epse Danse with Fran\u00e7oise Texier in Montpellier, Florence Casanave is a performer in the company Gr\u00e9goire&co\/Sylvie Le Qu\u00e9r\u00e9 in the creations Pens\u00e9es Secr\u00e8tes and Taka, and continues various collaborations with the company since then, notably for Elisabeth Shwartz’s dance conference on Isadora Duncan in 2012. She deepened her training at P.A.R.T.S. (2004-2006) where she studied releases techniques and experimented with her own creative processes. She will later collaborate with Lance Gries, her teacher, on improvisation projects.\u00a0In addition, she is a performer for Salia n\u00ef Seydou in the revival of Le Si\u00e8cle des Fous, and El\u00e9onore Didier in the solo LaiSsERvenIR. Between 2012 and 2014, she is a performer for the company Ubi\/Alessandra Piccoli and Sarosi Nay in the pieces Chronica and Geminus.
\nIn parallel to her career as a performer, she created with Elisabeth Fernandes the company Body Works in Rennes where she wrote three short pieces D.O.R. (solo), Les Mouvantes (duo) and Faire des ponts et Voler (trio) in which she is also a performer.\u00a0Faithful to the company 29X27, she collaborates with it for its young audience project Le Ring des Anges in 2009, and its in situ improvisation project Perspective(s), then she teaches regularly at the sept-cent-quatre-vingt-trois in Nantes.\u00a0In 2014, she met Christian and Fran\u00e7ois Ben A\u00efm and took part in the creation La L\u00e9g\u00e8ret\u00e9 des temp\u00eates.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row columns_gap=”60″][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"L\u00e9onor\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
L\u00e9onor Clary<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1689692853415-bfd13ba2-7753″][vc_column_text text_style=”leader-text”]Born in 1992, L\u00e9onor Clary explores different forms of artistic and physical practice, from musical violin studies to rhythmic gymnastics, from circus practice to individual sports, before starting dance at 16.\u00a0She continued her dance theater training at the Folkwang Universit\u00e4t Der K\u00fcnste, Pina Bausch, where she took over the repertoire (The Rite of Spring, Tannha\u00fcser) as well as that of Jos\u00e9 Limon (Concerto Grosso).\u00a0She also collaborates with choreographers such as Susanne Linke, Malou Airaudo, Henrietta Horn, as well as with dancers from Tanztheater Wuppertal.\u00a0She also works with the company Theater Der Kl\u00e4nge in D\u00fcsseldorf and the Tanztheater Erfurt (Germany), and also follows a theater training with Maria Machado Dubillard in Paris.\u00a0In 2015, she met Christian and Fran\u00e7ois Ben A\u00efm, and was chosen for the reprise of the role for the piece La L\u00e9g\u00e8ret\u00e9 des temp\u00eates.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"Chiara\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
Chiara Corbetta<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1630937759894-5ea5e971-fa32″][vc_column_text text_style=”leader-text”]Chiara Corbetta joined the National Ballet Academy of Rome in 2010 and completed her studies in London in 2016 with a BA Honors in Dance at Kingston University. After working as a freelance dancer and performer for Rosie Kay Dance Company, Levantes Dance Theatre, David Massingham, Joumana Mourad and Jason Piper, Chiara moved to Kaunas, Lithuania to join Aura Dance Theatre Company for two years. Under the direction of Birute Letukaite, she performed internationally and collaborated with several guest choreographers such as Gil Kerer, Yoshiko Waki (Bodytalk), Bea Debrabant and Vangelis Legakis. She successively moved to Vienna, London and Paris, participating in several projects of the TanzCompany Gervasi directed by Elio Gervasi and the NuaDance Company founded by Neus Gil Cortes.
\nShe is currently based in Paris and works with the Companies Christian and Fran\u00e7ois Ben Aim, Entity directed by Thibaut Eiferman, ACNO project of Mourad Buayad and Paul Lamy. She joined Sarah Baltzinger’s Company and the Bok o Bok Company for their new creations and recently played the lead role in an Orange commercial directed by Sebastian Edwards and choreographed by Lenka Vagnerova and in the music video Troll by the band SKALD directed by Sylvie Bessou. Chiara is a teacher of Body Expression at the Laboratoire de l’Acteur (professional acting school) where she also takes a theater course and a certified Yin and Vyniasa yoga teacher at THE NEXT DOOR studio.
\nShe collaborates with Christian and Fran\u00e7ois Ben A\u00efm for the play Fac\u00e9ties created in 2021.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"Lee\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
Lee Davern<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1631173041838-2f9be56b-79ac”][vc_column_text text_style=”leader-text”]Lee was born in Oxford England 1982,gaining a Bachelor of Performing Arts,in 2005 from The Northern School of Contemporary Dance. Since then has danced internationally, notably with Catherine Diverres, DV8, Ambra Senatore, Philippe Saire, Dance Theatre of Ireland and Christian Rizzo.
\nLee\u2019s somatic research is informed through a deep yoga practise notably in Dynamic Yoga Teaching Method with Godfrey Devereux. Several years of meditation (autodidact) and Rolfing (Fascia Therapy.)<\/em> He is an experienced climber, surfer, high-liner. His exploration includes profound plant Medicines, and is training in restorative massage.
\nOver the years harnessing his global sensory enquiry into developing and regularly teaching: Organic Structural Movement.
\nHis desire as a performer is to question the real potential of performance on a human level. Continually searching deeper than performance as entertainment, and rather discovering what can truly be transmitted through experience to a spectator.<\/p>\n

In 2013, he joined Christian and Fran\u00e7ois Ben A\u00efm’s company for a new role in the piece La For\u00eat \u00e9bouriff\u00e9e (2013).[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]

\r\n\t
\r\n\t\t\"Vincent\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
Vincent Del\u00e9tang<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1631174259910-ea399c83-abe8″][vc_column_text text_style=”leader-text”]After obtaining a degree in English and the school teacher’s exam, Vincent Del\u00e9tang trained in dance at the Conservatoire National de R\u00e9gion de Paris before joining the CNDC in Angers under the direction of Emmanuelle Huynh. In 2008, he was a performer in Paco D\u00e8cina’s company, and since 2010 he has been collaborating with Carolyn Carlson, for whom he is a choreographic assistant and performer in two editions of the Dansewindows project. He joins Camille Ollagnier on his project Les Gar\u00e7ons Sauvages where he performs the solo Elseneur. He developed his own choreographic writing within the DesiDel\u00e0 collective, notably in \u00c0 deux dans une manche with Virginie Quigneaux. Holder of a state diploma and a Master’s degree in Culture and Communication, he has developed several educational and creative projects with different amateur audiences (schools, hospitals, associations). In 2013, he joined Christian and Fran\u00e7ois Ben A\u00efm for a new role in the play La For\u00eat \u00e9bouriff\u00e9e.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row columns_gap=”60″][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"Thibaut\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
Thibaut Eiferman<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1631174431123-016e1a2e-dd4d”][vc_column_text text_style=”leader-text”]Thibaut Eiferman was born in Paris and raised in New York. He did his classical training at the American Ballet Theater school before joining Ballet British Columbia in Vancouver for two years. He discovered Gaga, the movement research created by Ohad Naharin, with Danielle Agami in Los Angeles, where he danced with Ate9 Dance Company for three years. He then left to dance in Tel Aviv with Batsheva Ensemble for the 2017-2018 season, where he began his H H H project as a choreographer and performer. Thibaut Eiferman continues his choreographic adventure in Paris, where he is a certified Gaga teacher. He teaches at Micadanses and at the Paris Opera.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"Eric\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
Eric Fessenmeyer<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1631173042274-991d236e-43ab”][vc_column_text text_style=”leader-text”]After training at the CNR in Poitiers, Eric Fessenmeyer began his career as a performer in 1998 with Odile Azagury and Claude Magne, and continued his encounters for numerous creations and performances with Herv\u00e9 Diasnas, Christie Lehu\u00e9d\u00e9 and Laurent Falgui\u00e8ras. He participated in the adaptation of La bouche pleine de terre by Branimir Scepanovic, directed by Richard Sammut. In 2001, he joined the company of Christian and Fran\u00e7ois Ben A\u00efm for the plays O mon fr\u00e8re ! (2001), La frontera (2001), Ne vous fiez pas au titre, il peut encore changer (2003), En plein Coeur (2006) and Amor fati fati amor (2008). Since 2010, he collaborates with Joseph Nadj, as a performer in Cherry Brandy (2010), La longueur des cent aiguilles (2010), Les philosophes (2011) and Ozoon (2013). In 2007, he founded the company La Cavale with Julie Coutant, allowing him to develop his own artistic universe. A collaboration with choreographer C\u00e9cile Loyer began in 2014.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"Anne\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
Anne Foucher<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1631173042722-4c210068-c8c3″][vc_column_text text_style=”leader-text”]After training as a physiotherapist, Anne Foucher trained as a dancer with Carole Hacker and during workshops with various choreographers. Since 1994, she has worked with Richard Mouradian, Fran\u00e7ois Laroche Vali\u00e8re, Pal Frenak, Annie Vigier and Frank Apertet, Dominique Verpraet, Jean-Antoine Bigot and Radhouane El Meddeb. From 1998 to 2005, she joined the Compagnie Fattoumi-Lamoureux as a performer and participated in eight of their creations. She created her first solo Excroissance and assisted Sophie Lamarche Damoure as an external viewer for the creation i. Holder of the DE, she teaches, gives workshops and participates in various events related to the work of the different companies she collaborates with.\u00a0In 2005, she joined Christian and Fran\u00e7ois Ben A\u00efm’s company and participated in their creations En Plein C\u0153ur (2006), Amor fati fati amor (2008) and Valse en trois temps (2010).[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"\"\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
Andrea Givanovitch<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1694184081395-1e190fd7-49a7″][vc_column_text text_style=”leader-text”]Born in 1997, Andrea Givanovitch began his dance training at the Conservatoire R\u00e9gional de Musique et de Danse de Toulouse, then at the Companyia Juvenil del Ballet Classic de Catalu\u00f1a and the Salzburg Experimental Academy of Dance.<\/p>\n

He has performed in Ohad Naharin’s Deca Dance for the Gaga Project Festspielhaus St P\u00f6llen in Austria and for the Bodhi Project in Reut Shemesh’s Tonky Lonky, Adrienne Hod’s Chorus Line and Patricia Apergi’s Newtopia, among others. After this last collaboration with Apergi in 2022, he joined her Aerites Dance Company in 2023.<\/p>\n

He has choreographed three solos in which he is a performer:
\nLost, in 2016, Leather Better, in 2022 and Untitled (Some Faggy Gestures), selected by the Atlas Program Impulstanz, in 2023.<\/p>\n

Alongside his work as a performer and choreographer, Andrea is a Hatha Yoga teacher.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row columns_gap=”60″][vc_column width=”1\/4″ mobile_width=”1-2″]

\r\n\t
\r\n\t\t\"\"\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
Nikita Goile<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1631173043180-90c74ee4-3b3e”][vc_column_text text_style=”leader-text”]Originally from Reunion Island, Nikita is a dancer and choreographer. Her interest in art in all its forms has led her to broaden her horizons, experimenting with visual artists, DJs, architects…<\/p>\n

After a stay in Israel, she joined the National Companies of Malta and Wales for several years, where she performed works by over a dozen choreographers from all over the world. After being commissioned by the National Dance Company of Wales to choreograph her first piece, it became clear that she wanted to deepen her own vision and create for herself.
\nShe left Wales to work freelance with Joy Alpuerto Ritter and Jose Agudo in London, and Eric Languet in R\u00e9union. At the same time, she created Compagnie Kah to produce her first solo.<\/p>\n

She then collaborated as a performer with architect Feda Wardak and choreographer Jean-Yves Phuong on their project Ci-dessous, la for\u00eat. She was then invited to choreograph for London’s English National Ballet. She joins Castafiore System as well as Hani Dance Company and Presque Compagnie in Rouen.<\/p>\n

She recently performed for Akram Khan and the Yasaman company.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]

\r\n\t
\r\n\t\t\"M\u00e9lodie\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
M\u00e9lodie Gonzales<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1749132941968-9ddf84b8-783f”][vc_column_text text_style=”leader-text”]M\u00e9lodie Gonzales, a Franco-American, began her stage experience in France with the Jeune Ballet du Languedoc and the Christiane Marciano Company. She then left to train at the New World School of the Arts in Miami, Fl., USA, where she obtained a Bachelors of Fine Arts in dance in 2004, then at the Laban Institute in London where she obtained a Master’s degree in Dance Performance. She then divides her time between Europe and the United States, collaborating with several international choreographers: Daniel Lewis (Jose Limon Co.), Michael Uthoff (MUDT), Peter London (Martha Graham Dance Co), Jennifer Muller (NYC), Aszure Barton (NYC)… In 2009, she won the ADAMI’s Rencontres Talents Danse competition for performers. In 2010, she created the artists’ collective CERICA within which she developed her own choreographic research with the pieces Pi\u00e8ces Courtes and Poup\u00e9es Post-it.\u00a0In 2013, she co-directed her first feature film with Daniel Madoff (ex-dancer of Merce Cunningham).\u00a0As a teacher, M\u00e9lodie taught in Miami in 2004 and in London between 2007 and 2009 at the Trinity Laban Institute and Lewisham College in London. Since 2008, she has been developing a movement exploration technique for dancers and non-dancers that she shares through classes and workshops.\u00a0In 2014, she became a member of the KD Danse company directed by Kirsten Debrock and joined Christian and Fran\u00e7ois Ben A\u00efm for their new project, La l\u00e9g\u00e8ret\u00e9 des temp\u00eates.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"\"\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer, acrobat<\/div>\r\n\t\t\t\t
Louise Hardouin<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1631175380290-543f5f6f-3725″][vc_column_text css=”” text_style=”leader-text”]<\/p>\n

A graduate of the Acad\u00e9mie Fratellini in 2024, she developed, throughout her training, an acrobatic approach centered on the uniqueness of the body and the movement it generates. Her work brings together the raw, sincere impulses inherent to acrobatics with the poetic softness of the surrounding movement. She seeks a physical language that allows her to open new doors into acrobatic exploration.<\/p>\n

During her time at the Acad\u00e9mie Fratellini, she worked notably with Rapha\u00eblle Boitel on the shows La Chute des Anges<\/em> and Le Cycle de l\u2019Absurde<\/em>, as well as with Guillaume Clayssen on the creation Friendly<\/em>, their first collaboration. This partnership continues with the piece Suis-je b\u00eate<\/em> (premiering in 2025). She is currently touring with Lucas Struna in Axis Mundi<\/em>, a circus creation designed for museum spaces, and also collaborates with Julie Tavert on Automne<\/em>, a piece set to premiere in March 2025.<\/p>\n

In 2024, she founded the company SBAH to produce her first solo show Yaca<\/em>, an immersive project developed with the support of Fanny Soriano and No\u00e9 Chapsal. Planned for spring 2026, Yaca<\/em> is designed for public space, with the ambition to offer audiences an immersive, simple and heartfelt experience.<\/p>\n

Her first encounter with Christian and Fran\u00e7ois Ben A\u00efm took place in spring 2023, during the creation of Suspens ! Un hymne \u00e0 la suspension<\/em> \u2013 a site-specific work created with eight apprentices from the Acad\u00e9mie Fratellini.<\/p>\n

\u00a0[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]

\r\n\t
\r\n\t\t\"F\u00e9lix\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
F\u00e9lix H\u00e9aulme<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1630937936035-90a53974-5e61″][vc_column_text text_style=”leader-text”]Felix H\u00e9aulme started dancing at a very young age with the Groupe Grenade directed by Josette Ba\u00efz, in which he trained in different techniques and participated in numerous creations.\u00a0He then joined the professional company of Josette Ba\u00efz from 2006 to 2014 as a dancer and teacher, and he also created some choreographic modules for the young people of the group.\u00a0In 2014 he met Michel Kelemenis, and joined his company for two creations.\u00a0As the meetings go by, he participates in various projects, with the company Elephante\/Sandra Fran\u00e7ais, the company Beaver Dam\/Edouard Hue, the collective Fr\u00e9quence Moteur\/Valentine Paley, or the G.U.I.D\/Angelin Preljocaj.\u00a0In 2016, he joined the company Christian and Fran\u00e7ois Ben A\u00efm on the creation Br\u00fblent nos c\u0153urs insoumis, then on the creation Mirages – Les \u00e2mes bor\u00e9ales in 2018.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row columns_gap=”60″][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"\"\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
Jeremy Kouyoumdjian<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1631174743108-45dfbc7a-207e”][vc_column_text text_style=”leader-text”]Jeremy Kouyoumdjian trained at the CNSMD in Lyon for 4 years, finishing in 2008.<\/p>\n

As soon as he graduated, he worked as an interpreter for Ballet Preljocaj and Sylvain Groud’s company.<\/p>\n

Over the past 10 years, he has continued to develop his career as an interpreter, multiplying his artistic collaborations with Jann Gallois, Russel Maliphant, Fran\u00e7ois Veyrunes and the Eric Fessenmeyer-Julie Coutant duo.<\/p>\n

In 2014, he founded Compagnie Lamento as an assistant with choreographer Sylvere Lamotte.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]

\r\n\t
\r\n\t\t\"Myl\u00e8ne\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
Myl\u00e8ne Lamugni\u00e8re<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1631174744051-191662e0-446b”][vc_column_text text_style=”leader-text”]After studying Foreign Languages Applied to Commerce and Communication, Myl\u00e8ne obtained a Master 2 in Management of Cultural Organizations and Events in 2007.\u00a0She then joined Josette Ba\u00efz’s company Grenade from 2008 to 2014 where she collaborated with various choreographers such as Jean-Claude Gallotta, Abou Laagra, J\u00e9r\u00f4me Bel, Dominique Hervieu, Eun-me Ahn and Germaine Acogny.\u00a0In 2014, she joined Gilles Veri\u00e8pe for his creation She-M\u00e2le and participated in the revival of the role of his piece Kube. This same year marks the beginning of her collaboration with Michel Kelemenis with whom she participates in two creations including Rock&Goal in 2016.\u00a0Myl\u00e8ne also collaborates on more occasional projects with Jean-Antoine Bigot and Anne Le Batard’s company Ex-Nihilo, the German-Swiss choreographer L\u00e9a Moro and Herv\u00e9 Koubi.\u00a0Holder of the DE, she teaches and participates in various events related to the work of the different companies with which she collaborates: teaching, creation, assisting.\u00a0In 2016, she joined the company Christian and Fran\u00e7ois Ben A\u00efm on the creation Mirages – Les \u00e2mes bor\u00e9ales.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"\"\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
L\u00e9a Lansade<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1632409357014-790ea6c9-570a”][vc_column_text text_style=”leader-text”]After studying at the CNSMD in Paris, from which she graduated in 2006, L\u00e9a Lansade joined the GUID of the Ballet Preljocaj, National Choreographic Center of Aix-en-Provence and continued her career as a performer with choreographers Jean-Christophe Bocl\u00e9, Emilio Calcagno and director Pierre Longuenesse.
\nAs a contemporary dance teacher, she also teaches young dancers in conservatories, leads workshops for amateur audiences and has been a guest artist in schools since 2010, leading various Danse a l’Ecole projects for kindergarten to high school classes.
\nFollowing the meeting with choreographer Didier Th\u00e9ron, she becomes a performer of the company in 2011. In 2012, she created Exploit, by Pauline Simon, presented in September 2013 at the Th\u00e9\u00e2tre des Abbesses.
\nAt the same time, she joined the company De l’Entre-Deux and began a collaboration with the choreographer and writer Daniel Dobbels for the creation of Entre les \u00e9crans du temps (May 2014, Th\u00e9\u00e2tre National de Chaillot) until 2017 with Sur le silence du temps.
\nShe is also a performer for the choreographers Mi\u00e9 Coquempot, company K622 (1080 – art de la Fugue, Offrande), S\u00e9bastien Ly, company Kerman ( Au-del\u00e0 de l’Absence, Aux portes de l’oubli), Daniel Larrieu, Astrakan company (Litt\u00e9ral, creation, Play 612, Chiquenaudes & Romance en Stuc, reactivation), Pauline Simon (Lo-Fi Dance), S\u00e9bastien Laurent, Moi Peau company ( D\u00e9senchanter – r\u00e9 enchanter, Corps Inou\u00efs).
\nThe solo Instantan\u00e9#2 is born in January 2019, the result of a collaboration with the choreographer Fran\u00e7ois Ben A\u00efm and the quartet Voce. She performs the D\u00e9clinaisons de la Navarre by the company PJPP – Claire Laureau and Nicolas Chaigneau during the year 2020 and begins the creation KNIT with the director Marine Mane (company In Vitro), the Impact quartet and the composer Karl Naegelen.
\nHer interest in research led her to experiment with the work of Nacera Belaza between 2020 and 2021.
\nIn 2022, she began working with B\u00e9atrice Massin in the Compagnie F\u00eates Galantes and performed in the piece Requiem – la mort joyeuse created in November 2022. She collaborates with Fran\u00e7ois Ben A\u00efm for the creation of the solo Instantan\u00e9s #2.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"remi-messger-leblanc-danseur\"\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
R\u00e9mi Leblanc-Messager<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1632409357906-ebc435ca-088b”][vc_column_text text_style=”leader-text”]Born in Rennes, R\u00e9mi Leblanc-Messager discovers contemporary dance in 2006 within the university choreographic group of his native city, in parallel with his studies of Art History and Archaeology. It was during this period that he met Fabrice Dasse, Catherine Diverr\u00e8s’ dancer, who pushed him to go further in the practice of this art. After his dance studies in Montpellier, he works during these two years with, among others, Claude Brumachon, Sylvie Girond, Larrio Ekson within the training EpseDanse. In 2010 he joins the Jam Art Company of Constantinos Tsakirelis based in Athens for the creations L’Echo du Silence and 117 Eclisomata. That same year he participated in the creation Entre Chiens et Loups by Salia Sanou and Anne-Marie Porras for the opening of the Montpellier Danse 2010 festival. He is also a dancer for the company Astatic where he participates in the creations E-moi and Issue. In 2012, he became a dancer in the company Bissextille of St\u00e9phane Fratti on the creation Mur Mur and joined the company Etant Donn\u00e9 for the 2013 creation Les Noces. During this year he participated in the creation Au temps o\u00f9 les arabes dansaient by Radhouane El Meddeb as well as \u00d4 mon fr\u00e8re ! by Christian and Fran\u00e7ois Ben A\u00efm. In 2014 he participated in the creation Miravella for the company ACT2\/Catherine Dreyfus.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row columns_gap=”60″][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"Marie\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Dancer<\/div>\r\n\t\t\t\t
Marie L\u00e9v\u00e9nez<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1631176150011-f50b2c79-1cb9″][vc_column_text text_style=”leader-text”]Marie L\u00e9v\u00e9nez trained in academic dance (neo-classical, contemporary) at the Conservatoire de Versailles where she obtained her diploma of choreographic studies (DEC). Her first year was marked by improvisation work based on the work of Pina Baush. This was the beginning of a great interest in dance theater. She joined the junior company le Marchepied in Lausanne. She has the opportunity to dance several pieces by Swiss choreographers and to perform abroad and regularly in public spaces. In 2018 she performed for the Quarts d’heures de S\u00e9velin, with the choreographer Judith Desse. She researches, develops and enriches her movement by participating in workshops abroad. For two years, she joined the Cobosmika training program, including a year with Peter Mika’s junior company. Following this course, she worked in the new piece Geisha by Diego Sinniger Sala. She discovered a passion for clubbing dances, including electro. She then started training alone or with dancers.[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"Paolo\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
Circus artist<\/div>\r\n\t\t\t\t
Paolo Locci<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1719485436873-096c14a2-b991″][vc_column_text text_style=”leader-text”]After a circus training at the FLIC school in Turin, then in Brussels at the Ecole Sup\u00e9rieure des Arts du Cirque, Paolo Locci specializes in Chinese mast, and “hand to hand”. Back in Turin, he became a teacher of Chinese mast at the FLIC school, and offers workshops for professionals and amateurs. In 2009, he created his own company Ibonobi while continuing to work as a performer with several circus and street companies. He joined the Christian and Fran\u00e7ois Ben A\u00efm company in 2010 for the piece L’Ogresse des archives et son chien (2011).[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″ mobile_width=”1-2″]
\r\n\t
\r\n\t\t\"\"\t\t\t<\/div>\r\n\t
\r\n\t\t\t\t
dancer<\/div>\r\n\t\t\t\t
Andr\u00e9a Moufounda<\/h6>\r\n\t<\/div>\r\n<\/div>\r\n[vc_tta_accordion c_align=”center” c_icon=”” active_section=”99″ heading_tag=”h6″ heading=”subtitle-text”][vc_tta_section title=”+ bio” tab_id=”1631174743596-7a654c97-bdda”][vc_column_text css=”” text_style=”leader-text”]Andr\u00e9a Moufounda began contemporary dance at the age of 5 in Beaune, France.<\/p>\n

Then, in 2015, she entered the Conservatoire National Sup\u00e9rieur de Musique et de Danse de Paris, where she studied under various renowned teachers such as Cheryl Therrien and Edmond Russo.<\/p>\n

Since obtaining her DNSP in 2018, Andr\u00e9a has had the opportunity to work as a dancer-performer for a number of companies:<\/p>\n