{"id":20005,"date":"2025-01-21T11:26:55","date_gmt":"2025-01-21T10:26:55","guid":{"rendered":"https:\/\/cfbenaim.com\/?p=20005"},"modified":"2025-02-04T11:08:41","modified_gmt":"2025-02-04T10:08:41","slug":"tender-anger-danser-canal-historique","status":"publish","type":"post","link":"https:\/\/cfbenaim.com\/en\/tender-anger-danser-canal-historique\/","title":{"rendered":"Tender Anger, Danser Canal Historique"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row padding_top_multiplier=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<strong>\u201c Tender Anger \u201d by Christian and Fran\u00e7ois Ben A\u00efm<\/strong><\/p>\n<p>This superb creation for ten virtuoso performers opened the Suresnes Cit\u00e9s Danse festival, with the Ben A\u00efm brothers as associate artists of the Th\u00e9\u00e2tre de Suresnes &#8211; Jean Vilar.<\/p>\n<p>After a rather amusing prologue, in which an iron-gloved man firmly holds his broom while seeming surprised to be there (a metaphor, perhaps, for the corps de ballet?), a magnificent Gaelic chant (?) begins as the ten male and female dancers line up at the back of the stage. The individual dancers then launch into supple gestures, winding and unwinding in twists and turns, scattering in false disorganization and suspended moments. The costumes, by Mossi Traor\u00e9, and the gestures, which make skirts fly in Bruehgel-like rounds or folk-inspired chains, have something medieval about them, immersing us in a sense of the collective rooted in life itself.<\/p>\n<p>The detuned unisons that allow the eye to suddenly zoom in on an individual or a figure give the whole an almost cinematographic aspect, with an extremely successful depth-of-field effect. The choreography is extraordinarily well crafted in the mass, with its deployments and spirals, its fourth-finished falls, its endless twists, its masterful curves, and its inverted voltes. The rhythm is captivating, admirably supported by Patrick De Oliveira&#8217;s musical composition, full of pulsations and diverse and varied sonorities, mixing deep voices and electro waves, strings and subtle layers. Constantly torn between body weight and elevation, earthy or aerial energy, the bodies always seem on the verge of imbalance, instability or rather intranquillity. It&#8217;s a fine score of states and moods that multiplies movement tenfold in as many expressions as there are performers.<\/p>\n<p>Suddenly, a cloud of smoke explodes in the center of the stage to great effect. When it gradually dissipates, a new language is born, grotesque, burlesque and extravagant, reminiscent of Combat de Carnaval and Car\u00eame, playing on gestural oppositions and even radical contradictions that demand flawless virtuosity from the dancers, while their cries and madness suggest total abandon.<\/p>\n<p>Is it anger? Perhaps. What is certain is that tenderness is present in duets of feverish gentleness and shadowy affection, materializing in spirited lifts and embraces. Is this gentle madness a form of resistance, an invitation to reinvent the way we live together? In any case, the whole is a superb dance piece that opens up our imaginations.<\/p>\n<p>[&#8230;]<\/p>\n<p><strong>Agn\u00e8s Izrine<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"grve-element grve-team grve-layout-3 grve-mouse-move\">\r\n\t<div class=\"grve-team-person\">\r\n\t\t<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/cfbenaim.com\/wp-content\/uploads\/2025\/01\/Design-sans-titre4.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" data-column-space=\"auto\" data-lazyload=\"\" \/>\t\t\t<\/div>\r\n\t<div class=\"grve-team-description\">\r\n\t\t\t\t<div class=\"grve-team-identity grve-small-text\">Danser Canal Historique, January 2025<\/div>\r\n\t\t\t\t<h3 class=\"grve-team-name grve-link-text\">Agn\u00e8s Izrine<\/h3>\r\n\t<\/div>\r\n<\/div>\r\n[\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"grve-element grve-align-center\"><a href=\"https:\/\/dansercanalhistorique.fr\/?q=content\/tendre-colere-de-christian-et-francois-ben-aim\" target=\"_blank\" class=\"grve-btn grve-btn-outline grve-round grve-border-black grve-bg-hover-primary-1 grve-border-hover-primary-1 grve-text-black grve-text-hover-white grve-btn-medium grve-with-svg-icon-arrow-2\">\r\n\t\t<div class=\"grve-btn-inner\">\r\n\t\t<span>Read the article online<\/span>\r\n\t\t\t\t\t\t\t<div class=\"grve-btn-svg-icon\">\r\n\t\t\t\t\t\t\t<svg width=\"40px\" height=\"16px\" viewBox=\"0 0 40 16\">\r\n\t\t\t\t\t<polygon class=\"grve-arrow-line\" points=\"0 7 38 7 38 9 0 9\"><\/polygon>\r\n\t\t\t\t\t<polygon class=\"grve-arrow-point\" points=\"31.3481912 0 40 8 31.3481912 16 30 14.5816219 37.1 8 30 1.41837809\"><\/polygon>\r\n\t\t\t\t<\/svg>\r\n\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t<\/a><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>This superb creation for ten virtuoso performers opened Suresnes Cit\u00e9s Danse&#8230;<\/p>\n","protected":false},"author":2,"featured_media":19988,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"quote","meta":{"footnotes":""},"categories":[87],"tags":[],"class_list":["post-20005","post","type-post","status-publish","format-quote","has-post-thumbnail","hentry","category-press","post_format-post-format-quote","grve-entry-item","grve-blog-item"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - 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